Canon's consumer SLR line has a new flagship: the 15.1-megapixel Canon EOS Rebel T1i. Once again, we see a new SLR from Canon in less than' months from the last in a given line. It's actually only eight months since the XS was announced, and about-- since the XSi; either way you look at it, competition has shortened product cycles in the digital SLR space.
Other features come to the Canon T1i from the 50D, including the Peripheral Illumination Correction and multiple noise reduction settings. Auto Lighting Optimizer and Highlight Tone Priority were already brought over with the XSi, but Creative Auto is now included, a unique mode that endeavors to bring creative control to the amateur shooter.
Movie mode comes to the Rebel T1i with quite similar capabilities to the Canon 5D Mark II, though it's highest complete HD resolution is 720p at 30fps. It can capture 1080p videos, but only at 20fps, which isn't technically fully up to spec. Standard 640x480 movies are also available at 30fps. You can manually focus or autofocus via contrast detect by pressing the Canon T1i's rear AE/AF-Lock button.
Controls and body styling are nearly identical (differences are broken down in the User Report below); the main changes are internal. The Canon T1i's new sensor is ever slightly larger at 22.3 x--.9mm compared to the 22.2 x--.8mm measurement of the XSi's sensor, but the bigger change is the new sensor's high ISO capabilities, running from 100 to 3,200, with two expanded settings: 6,400 and 12,800.
Also introduced at the same time is the very small Speedlite 270EX, a new flash that is easy to pocket and gives cameras like the Rebel T1i and the PowerShot G10 an accessory flash that won't threaten to flip these lightweight cameras over. The flash head zooms manually from 28mm to 50mm coverage, and flips up to 90 degrees. Like other EX Speedlites, the 270EX transmits color temperature information to the camera. Power comes from two AA batteries. - 29888
Other features come to the Canon T1i from the 50D, including the Peripheral Illumination Correction and multiple noise reduction settings. Auto Lighting Optimizer and Highlight Tone Priority were already brought over with the XSi, but Creative Auto is now included, a unique mode that endeavors to bring creative control to the amateur shooter.
Movie mode comes to the Rebel T1i with quite similar capabilities to the Canon 5D Mark II, though it's highest complete HD resolution is 720p at 30fps. It can capture 1080p videos, but only at 20fps, which isn't technically fully up to spec. Standard 640x480 movies are also available at 30fps. You can manually focus or autofocus via contrast detect by pressing the Canon T1i's rear AE/AF-Lock button.
Controls and body styling are nearly identical (differences are broken down in the User Report below); the main changes are internal. The Canon T1i's new sensor is ever slightly larger at 22.3 x--.9mm compared to the 22.2 x--.8mm measurement of the XSi's sensor, but the bigger change is the new sensor's high ISO capabilities, running from 100 to 3,200, with two expanded settings: 6,400 and 12,800.
Also introduced at the same time is the very small Speedlite 270EX, a new flash that is easy to pocket and gives cameras like the Rebel T1i and the PowerShot G10 an accessory flash that won't threaten to flip these lightweight cameras over. The flash head zooms manually from 28mm to 50mm coverage, and flips up to 90 degrees. Like other EX Speedlites, the 270EX transmits color temperature information to the camera. Power comes from two AA batteries. - 29888
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